Free PDF Holy Spirit: The Person, Power and Purpose (Cassette Tape Set) (Malcolm Smith Teaching Cassettes)By Malcolm Smith

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Holy Spirit: The Person, Power and Purpose (Cassette Tape Set) (Malcolm Smith Teaching Cassettes)By Malcolm Smith

Free PDF Holy Spirit: The Person, Power and Purpose (Cassette Tape Set) (Malcolm Smith Teaching Cassettes)By Malcolm Smith

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Subjects on cassette tapes -- The miracle worker, Invasion, The witness.

• Sales Rank: #13149490 in Books
• Binding: Audio Cassette

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PDF Ebook Fundamentals of Tool Design, 6th EditionBy Dr. John G. Nee, Editor

PDF Ebook Fundamentals of Tool Design, 6th EditionBy Dr. John G. Nee, Editor

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Fundamentals of Tool Design, 6th EditionBy Dr. John G. Nee, Editor

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For over 40 years, students, designers, and manufacturing practitioners have used the Fundamentals of Tool Design to gain an in-depth understanding of all the factors that impact tool success. Fully illustrated, readers will find practical design examples, cost analysis calculations, process data, operating parameters, and tips and techniques--all of the concrete knowledge needed to spark innovation and resolve complex tooling challenges.

Among the updates to the Sixth Edition, you'll find updated and expanded tool designer objectives and responsibilities, a designer's guide to machine tools, revised tool material, mechanical definitions and reference tables, expanded broaching examples and concepts, new sections on part location and support, expanded bushing applications, and revised GD&T information to include ASME Y14.5-2009. New appendices provide sources for tool design components, related web sites and search engines, and handy GD&T reference charts. Expanded learning resources include how to use the nine DVDs of the Fundamentals of Tool Design Video series to complement your study. A sample DVD, which includes video clips from the series, is included with the book. Additional review questions are located at the end of chapters.

Table of Contents
* General Tool Design
* Materials Used for Tooling
* Cutting Tool Design
* Workholding Concepts
* Jig Design
* Fixture Design
* Power Presses
* Die Design and Operation
* Inspection and Gage Design
* Tool Design for Joining Processes
* Modular and Automated Tool Handling
* Computer Applications in Tool Design
* Geometric Dimensioning and Tolerancing

• Sales Rank: #554437 in Books
• Published on: 2010-04-26
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 8.50" w x 1.25" l, 1.10 pounds
• Binding: Hardcover
• 446 pages

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PDF Ebook The Seven Basic Plots: Why We Tell Stories

PDF Ebook The Seven Basic Plots: Why We Tell Stories

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The Seven Basic Plots: Why We Tell Stories

PDF Ebook The Seven Basic Plots: Why We Tell Stories

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Audible Audiobook

Listening Length: 38 hours and 58 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Tantor Audio

Audible.com Release Date: March 5, 2019

Whispersync for Voice: Ready

Language: English, English

ASIN: B07NYY518B

Amazon Best Sellers Rank:

The first half of this book gets 5 stars without qualification. It is a clear explanation of the archetypes that appear in the most fundamental stories, how they work together, and the ultimate purpose for telling stories. He then uses this archetypal system to analyze stories through the ages, down to very recent years. I found his analysis of Shakespeare, for instance, very helpful. This is what I bought the book for, and I am not at all disappointed.In some ways this book is not as immediately useful as, say, 'Save the Cat' and others like it are useful for screenwriting. However, I think this book delivers the groundwork for stories--the groundwork beyond which we cannot go. Its information is more fundamental than the 'Save the Cat' types. If I were a literature professor, this might well be the book I started with.As he moves into how stories have gone rogue, trying to escape from the archetypal patterns, the book begins to become repetitive, and the tone begins to change from that of confident lecturer to exasperated preacher. But these chapters are still valuable.Then he applies the archetypes to history, and things become not only repetitive, especially if you already know something about history in general and the history of religion in particular, but also without clear focus. I'm not sure he is always correct with either his facts or his analysis, although generally I consider him authoritative. It also seems to me that he is projecting the archetypes onto history, which is one of the things he warns against.Still, I find his thesis very useful, which in short is that as we lose touch with our religious ties to God, and therewith our ties to the Self (Jung), we become isolated and egotistical, on both the individual level as well as the national level. And, furthermore, that story structure can tell us how we are deficient if only we have the humility to look for it, again, both as groups, even nations, and as individuals. Ultimately these could be the most profound and important chapters of the book, but a good editor would have been useful to sort them out. For me, they were a bonus: not what I bought the book for, but a welcome introduction to the possibility of using stories to heal ourselves.

This book is actually many things:- An introduction to the seven basic plots and their many associated archetypes that work in combination.- A system. It can be applied to any story you know (and it’s fun to do so).- A tool. An almost obligatory read for anyone who invents stories. If you don’t tap on this 37 years research you’re simple on disadvantage. It’s not that everyone should follow the author's guidance in order to write stories that fulfill the self and not the ego, on the contrary, a writer might find herself not wanting to do so, but the structure the book provides is a map to decide when and how to move away or within the Self archetypical path.- A partial and moral history of literature, and an even more partial and equally moral history of Western culture.- A psychoanalis of our modern western culture, throughout the stories we invent and the ones we tell ourselves. And it's, indeed, a moralistic analysis, something that can pull the nerves of a grownup reader.- A compendium of great and diverse stories.- A source of unexpected spoilers (if you read the book be very careful with this, for it reveals the plot of so many stories and books, that chances are it will spoil something you want to read. I had to overlook several paragraphs when reading).The Odyssey versus Ulysses, E.T. versus Encounters of the Third Type, Terminator versus Frankenstein… in each comparison the author prefers the first and rejects the second option. Interestingly, this framework (or as I called it: system) allows strange and yet consistent and justifiable comparisons, such as Jaws versus Gilgamesh (borrowing a famous gedankenexperiment from Chomsky, if someone told these two stories to a martian, it will think they are just two slightly different versions of the same). It’s refreshing to see how the author jumps without loss of continuity from Hollywood B movies to universal classics. And this tool's lack of respect for the boundaries between high and low cultures (the below-the-line and the above-the-line archetype), which is itself a moral construct, compensates, in my opinion, its otherwise unbearable moralism regarding other aspects (ego versus self).In summary: vaccinate yourself against moralism, enjoy this awesome construction and the many stories it contains, be aware of spoilers, and use what you learned to write great new stories.

THE SEVEN BASIC PLOTS by Christopher Booker is a provocative book. The basic idea is that any story can be boiled down to one of seven plots:Overcoming the MonsterRags to RichesThe QuestVoyage and ReturnComedyTragedyRebirthWhat is excellent about this book is the amount of learning involved and the interesting connections made between authors as disparate as Jane Austen and Luigi Pirandello. However, this is a big book at over 700 pages, and I think that part of it could have been condensed.Like other readers, I believe that the strength of the book lies in Part One of the book, titled THE SEVEN GATEWAYS TO THE UNDERWORLD. The following three parts are less strong, mainly because of Booker's contention that any narrative, such as Mary Shelley's FRANKENSTEIN, which doesn't conform to what Booker takes to be archytypal norms, is fatally flawed. That this can't possibly be true is borne out by the fact that is ranked at number 59 on Amazon's list of Bargain Books. Readers continue to love this book some 200 years after it was published. So it obviously isn't "fatally flawed" for them.If you are interested in reading a provocative interesting account of stories, and how they might relate to our psychology, this book is for you. For my part, I think that a strong editorial hand was needed on Parts Two, Three and Four, which were too often filled with silly Freudian cliches. Three stars.

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Ebook Meeting of two Seas: Where the heart leads the mindBy Saeed Malik

Ebook Meeting of two Seas: Where the heart leads the mindBy Saeed Malik

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Meeting of two Seas: Where the heart leads the mindBy Saeed Malik

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“Eye-opening in terms of the parity between the Abrahamic faiths, this fine model of scriptural analysis merits study by mystics of any faith.” Kirkus Reviews

This book is a follow-up to A perspective on the Signs of Al-Quran: Through the Prism of the Heart. Here the heart leads the mind on a journey into the eighteenth chapter of the Holy Quran. This chapter, known as Surah Kahf, has captivated seekers across the ages for its living spiritual appeal. Meeting of two Seas is about a journey which Moses undertakes with Khidr. Though this journey is short, it continues to open doors to others, through our awakening to the meetings of many sets of two seas around us: The meeting of the manifested real and the hidden Real; the meeting of the temporal and the eternal; the meeting of the empirical with the spiritual; and the meeting of physical causes with the Spiritual Cause. Our consciousness too stands at the nexus of the seas of our very own inner and outer selves. When the heart and the mind come to a meld—the coming together of taddabur and taffakur—there is no turning back and no end to the joyous journey toward the shores and sea of the Arabic Quran. The i’jaz of the Quran is its unfathomable ability to lead us to a scent of the REAL and toward a sense of belonging to IT.

• Sales Rank: #1342512 in Books
• Published on: 2016-02-17
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .74" w x 6.00" l, .96 pounds
• Binding: Paperback
• 296 pages

Review
"A thorough examination of Chapter 18 of the Quran exemplifies allegorical interpretation and reconciles common dichotomies like heart and mind, science and religion.
"Having lived a life immersed in physical sciences, I now find myself drawn by an irresistible appeal to the mystical shorelines of the hidden sea," Malik (A Perspective on the Signs of Al-Quran, 2010) writes. Such watery metaphors pervade the author's language as he expounds on various parables in the Surah Kahf. A central story has Moses--the Quran's most-mentioned prophet--setting out to find the meeting place of two seas. While this might be a real place, this is also a mystical journey to the union of heart and mind. Moses' companion on the quest for knowledge, Khidr, impairs a boat, kills a boy, and then--in a sudden merciful turn--repairs a crumbling wall. For Moses, it's a lesson in unquestioning obedience, even when God's will doesn't make sense. As Malik observes, this is like the journey of faith: the big picture is usually hidden from mortals. Another key parable concerns some young men who take refuge inside a cave and, Rip Van Winkle-like, emerge to find that centuries have passed. Malik cleverly links this example of "time dilation" to quantum physics' concepts of time and space while also invoking metaphors of resurrection. Bypassing the usual quagmire that results when religion tries to disprove science, he instead imagines the two coexisting. Indeed, his modus operandi throughout this learned guide is to seek intersections between two ideas: empirical and subjective; free will and predestination. "To those who have made the plunge" of faith, Malik insists, those seemingly contradictory pairs become a nonissue. The book, written in an inviting first-person plural, makes scholarly comparisons between different translations of the Quran (in italics, with footnote references), accompanied by Arabic script and color images. Erratic hyphenation is a rare stylistic flaw in an otherwise fluid text. Dense with details, this impressive volume rewards a slow, meditative reading.
Eye-opening in terms of the parity between the Abrahamic faiths, this fine model of scriptural analysis merits study by mystics of any faith." Kirkus Reviews

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